River
A recce of the actual brick and a one-page note of stills versus motion. If a modifier will not travel into coverage, we split the day on paper.
The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.
A recce of the actual brick and a one-page note of stills versus motion. If a modifier will not travel into coverage, we split the day on paper.
Stills and motion share it. No second truck, no second white. Gels and diffusion are named before we leave Linnankatu.
Tethered before the sun turns. Selects happen while the key still exists. We do not discover the frame at midnight on a card dump.
Warm, not a postcard. Brick and skin share a decision. The show LUT is the stills LUT, written in pre-production.
Masters labelled for traffic: print, Rec.709, 1:1 and 9:16. An archive a producer can open a year later.