2025 · Food
Bread that had to look like the bakery
Stills and a 20s loop from one window in Turku. The loaf had to look like the bakery, not like a sunset someone added in the suite.
Read the casePacificfu · Turku
River overcast, a small crew, and files that still look like Linnankatu a year later. We recce the brick at the hour it actually reads, then stills and a short film share that white — not a postcard stacked in the suite.
Pacificfu produces commercial stills and short films from Turku. We plan photography and motion together so a lookbook and a cut share one white, and a campaign does not arrive as two vendors arguing in public.
The rooms on Linnankatu hold a north window, tabletop, and a colour desk. Clients sit with tethered stills and a calibrated monitor in one visit. Product and grade live on the same floor.
Location days stay on the brick we recce. Bounce and a quiet key match the river street; we do not gel a sunset onto a grey afternoon. If the weather turns we wait or we rewrite, we do not invent Turku later.
Agencies send a media plan. We name masters for print, 1:1 and 9:16, keep a working project for the revision window, and hand an archive another editor can open without a private scheme.
2025 · Food
Stills and a 20s loop from one window in Turku. The loaf had to look like the bakery, not like a sunset someone added in the suite.
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2024 · Hospitality
Interiors and a two-minute film at recce hour. The brick already had a white; food stills matched the rooms.
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2026 · Fashion
Lookbook and a quiet walk. Lifestyle stayed live — one LUT for stills and film.
Read the caseCampaign stills, product, and brand portraiture with controlled light.
Narrative and branded films from treatment through principal photography.
Show LUTs, shot matching, and finishing that serve the brand palette.
Edit, sound, titles, and delivery packages for every platform.
Product and environment renders that composite with live action.
Type, diagrams, and brand systems in motion for spots and social.
Send references, a date, and whether you need stills, a film, or both. Tell us where the work has to live — print, site, film, social — and we answer with a crew plan.
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